SXSWi 2011 – The Extended Version

We all like a little closure.  Last week Scooter dropped her South by Southwest Interactive takeaways. Today we’ve compiled favorite takeaways from other  SXSWi Schipulites to share with you.

SXSWi 2011 Takeaways

From Melissa

Photo via www.fastcompany.com (SXSWi 2011 Scvngr feature)

The highlight of SXSW 2011 for me was definitely SCVNGR CEO Seth Priebatsch’s keynote address.   Priebatsch explained how the developing “game layer” in the virtual world can be applied to solve problems in the physical world by taking advantage of principles of game play, including rules, rewards, and levels.   He even concluded the talk with a short game involving the audience to illustrate how game play can motivate people to work together to accomplish communal goals, regardless of locale of the players.

Not only did the talk itself cover a lot of real world problems (such as the inherent  problems with school model) and present some interesting solutions, but Priebatcsch’s energy and enthusiasm was unmatched and inspiring.  Listen to the audio of Seth Priebatsch’s Keynote Address

The high-profile presence of Gowalla and their SXSW-focused game of checking-in and collecting stamps throughout the conference was a lot of fun, too!

Also, I attended a panel session called Time Traveling: Interfaces for Geotemporal Visualization. The panel discussed how much data we are creating and storing in online systems, such as Google Maps, now that so many more people have access.

It’s easy to show either time or space/geography in visualizations, but combining them together makes visualizing the data a lot trickier.     It’s a new challenge and new opportunity to create and use tools to learn about history, current events, and trends and also presents new ways for storytelling on the web.

One of the panelists, Nick Rabinowitz, who works mainly as an information consultant with a focus on non-profit organizations, created a JavaScript library called Timemap.js that can be used to display geotemporal data in tons of ways, including progressing loading as you scroll through time.   He and his brother, panel moderator, Assistant Professor and Director of University of Texas’ Institute of Classical Archaeology Adam Rabinowitz, also created GEODIA, a system that visualizes the temporal, geographic and material aspects of ancient Mediterranean civilizations.

From David

We went to SXSWi with a strict goal to promote Schipul as a leader in the Drupal community, and while we promoted our Drupal Monster video, we had a wonderful time engaging the SXSW crowd with a content management system some were new to.

As part of our strategy, we printed out Moocards with a simple link on them, and we handed them out  guerrilla-style.

Drupal Monster Moocards

We got more of a response from DrupalCon the week before SXSWi. But that’s to be expected since the video is Drupal-related. That being said, our promotion at SXSWi kept the snowball rolling. Watch the Drupal Monster video.

From  Derek

Groupon SXSWi 2011

The panel that made a lasting impression on me was by Aaron With from Groupon called “Strange Business: Corporate Creativity that Doesn’t Suck.” It was about a lot of things they do that most people see as wasting endless amounts of time and money for no reason. They do fun, interesting things that have no plan at first then actually end up having value at some point (try unsubscribing and you’ll see). My favorite quote was Aaron describing one of their activities: “We made it for no good reason then it ended up having a business benefit.”

At Schipul,  we don’t go to the extremes Groupon does, but it’s good to see the idea reinforced by a large company. Our company realizes the potential of “wasting time” even when it may mean lack of productivity at that specific period of time. The Drupal Monster video or Plasma Car races are perfect examples.  Listen to the audio version of this panel

Random Photo Time!

While in Austin, we took every opportunity to live it up: nerd-style. That means Lyndia and I cuddled the xtranormals (you may remember them from @urbanhoustonian’s video); I met Dule Hill from  psych (USA) and The West Wing (NBC)  ; and between panels, the Schipulites enjoyed the beautiful weather on patios with free wireless internet access.

xtranormal cuddlies at SXSWi 2011
Lyndia and I cuddled the xtranormals.

 

Me to Dule Hill: Dude. You're hot.

 

We're mapping out the parties that have free beer. Priorities. Nerdery.

Looking ahead

We had a few SXSWi first-timers in our group (including me). Since the conference we’ve had opportunities to apply much of what we’ve learned in small doses. Between now and the next SXSWi, it’ll be interesting to see how we, and how others, expand on information from panels.

If you missed it, I’ve updated my takeaways with audio links to the panels. Check them out  here. And please feel free to share your takeaways and links with us. We’d love to hear from you!

A Reality, A Challenge, An Adventure

Performing Arts Marketing Online

I’ve been working here at Schipul for almost a year now. I came here after 4+ years of working for the Society for the Performing Arts in Houston, TX. During this time, my mind has not strayed far from trying to find better ways for performing arts organizations to harness the power of the Internet to enhance audience development and, more importantly, sell more tickets.

This post is a first step in helping performing arts institutions to better understand and use the Internet for their organizations and their artists. I welcome your feeback, and hope you forward this on to anyone you know that works for a performing arts organization if you find it useful.

A Reality: Performing Arts needs SEO

You probably think an organization like Lincoln Center wouldn’t need Search Engine Optimization.  You’re wrong.

Despite being quite familiar with their site, I had to Google them first to find their site. Today’s web user is very reluctant to start slapping .com on anything you want on the web.  For instance, try typing whitehouse.com into your browser. You will not find our President.

Need more proof? Take a look at this report from Google Insights about searches including the words lincoln and center. NOTE: These results are from New York state.

 

I don’t know about you, but I know Lincoln Center is in New York City. Yet above you can see that many people actually search for “lincoln center nyc” or “lincoln center ny”. Again, these are searched from the state of New York. The point here is that regardless of how strong your brand or position is in a patron’s mind, they will more likely be Googling you or the performer first.

Wait! Don’t go optimizing your performances just  yet. You need to develop your strategy first. You’re probably thinking you’ll succeed if you start optimizing around the same time you start marketing the performances through your other outlets. That’s not going to work. You need at least three months of continuous optimization to start getting attention of the great and powerful Google. This means your online marketing should not, in any way, be tied to your other marketing plans. Why?

Newspapers are dying because they thought reprinting their paper on the web was all they needed to do. They were wrong. You must market to an online audience (i.e. Google) if you want people to find your web site. This means you need to start treating Google like your oldest subscriber and donor.

A Challenge: Performing Arts needs Video

Do you remember when we all thought how crazy it was to have a camera on a cell phone? Now we have phones offering HD video! But there’s a HUGE drawback as it’s not so easy to transmit video via today’s web. However, as the Internet continues to become more mobile, and the transmission lines get faster and more widespread, sharing video is going to become as ubiquitous as photo sharing is today.

Today, many performing artists rely on photos to tell their story. Take this image from Diavolo’s Trajectoire.

But doesn’t this video do a better job of telling their story?

Of course, it’s not just about presenting it, it’s HOW you share the video. Take this video I’ve embedded from Alvin Ailey Dance Company. NOTE: Alvin Ailey has restricted our ability to share their videos to this format.

Revelations from AlvinAileyAmericanDanceTheater on Vimeo.

Not very impressive, is it? If you do decide to click on it, you will bear witness to one of the greatest displays of American choreography the world has ever seen. But if you’re like most web users,  you are more likely to trust the Diavolo video link  (32K+ hits) over the link from Alvin Ailey (26K+ hits).

Proving a picture is worth 6,000 clicks.

Artists and presenting organizations have to work together to provide better opportunities for patron video consumption. It’s not about showing entire pieces or performances, it’s about whetting the appetite of an audience that is starved for good content. And like we’ve seen above, how you allow your patrons and fans to present is important as well.

An Adventure: Check in, Experience the Performing Arts

Do you remember your reaction when you first heard someone talk about Twitter? It was probably the same reaction you have had listening to someone talk about Foursquare, Gowalla or SCVNGR. I must admit, I long fought against the location-based check in services. However, the more I learn about them, the more I begin to see the dawning of a new level of personal interaction.

The purpose behind these services isn’t to alert people of your location, it’s to tell a story about a location. Every time you walk into a special place, like a performing arts venue, a memory is made. You are not the person you were after you’ve walked into one of your special locations.

For a performing arts organization’s patrons, this is a regular experience every time they walk into your performance hall. The hall is your sandbox, and you now have some pretty amazing toys to play with in it. Whether you create photo contests with Instagram or Hipstamatic, or offer discounts to patrons who check in via Gowalla or SCVNGR, you now have the ability, generally for FREE, to create memories and expand your patrons’ experiences beyond the stage and performance.

Performing Arts Online

I want to explore these and other ways the Internet can be used to tell the story of performing arts over the course of this year. I can tell you now, the performing arts groups are not fully utilizing the power of the web to further their mission and vision. My goal, my New Year’s resolution, is to help change that.

I hope this is a first step in the right direction.